I'll never forget when I was 17 years old and was at the movies with my father. I can't recall the film we were watching but a trailer came on and my dad, who rarely gets excited about films, couldn't hold back his excitement. The trailer was for The Bourne Identity. My father had read the book and he spoke of it's intrigue and mystery so naturally I had to read it too. I ended up being the only one in the family to read the trilogy. I fell in love with the chaotic world of Bourne. I eagerly anticipated The Bourne Supremacy and was a little stunned to find that they had completely parted ways with the novels, however The Bourne Ultimatum was so much fun I didn't mind at all. The latter two films were directed by Paul Greengrass, a director who is able to keep a handle on the story whilst creating thrilling action scenes. All three Bourne films were written by Tony Gilroy, a very talented screenwriter.
After hearing that Matt Damon didn't want to do another Bourne film I resigned myself to the fact that the films had come to an end. Hollywood however will never let a cash cow die. I was both excited and a little apprehensive when I found out that a new film entitled The Bourne Legacy was being made. When I saw that it was being written by Gilroy I realised that there was nothing to worry about, until I saw that Greengrass was not on board. Rather than replacing Greengrass with an equally skilled director producers handed the reigns to Gilroy, whose directing credits had only two films (Duplicity, Michael Clayton). But what is quantity when there is quality? Peter Jackson was relatively unknown when he took on Lord of the Rings, and look at him today. So I swallowed my doubt and went to watch the fourth Bourne film.
Although the film is called The Bourne Legacy this is not a film about Bourne. He is merely the tip of the iceberg as the film quotes. This installment follows Aaron Cross (Jeremy Renner), a soldier who is part of a program designed to create super soldiers. After the CIA failed to capture Bourne they go into disaster mode and decide to shut the program down, which basically consists of killing everyone involved. On that list is Cross and Dr. Marta Shearing (Rachel Weisz) a scientist who administers the medication to the soldiers. Cross and Shearing go on the run from the relentless Col. Eric Byer (Edward Norton) and his team who sit in the comfort of their office whilst tracking the two down. In the previous Bourne films Jason fought to catch up with the CIA, to find out the truth he desperately searched for. In this latest film it is the CIA who are trying to catch up, and they really aren't very good at it, Cross and Shearing are always two steps ahead.
Cross is not Bourne and the film takes great pains to remind us of that. The source of his super strength is from the medications he's been taking, whereas Bourne's skill set was purely from training. If this was Batman Cross would be Robin. Cross also has his memory, he knows his past, he figures out quickly what's going on and he is able to make decisions based on those facts. Shearing has a much more important part in the film than women in previous Bourne films. Cross would not have been able to survive without her. Both Renner and Weisz have great chemistry on screen. Although their characters are never shown to be physically involved there are more than enough glances and hand touching to get the point across.
Renner is a great upcoming actor who I believe has a long successful career ahead of him. With films like The Town, The Hurt Locker, Mission: Impossible - Ghost Protocol and The Avengers behind him he already has made a name for himself in tinseltown. He brings vulnerability and integrity to Cross and you really can't help but root for the guy. Perhaps if this was it's own film, without the Bourne name being attached to it then there would have been more opportunity to explore this character more. As it is however Cross seems as though he's always two steps ahead of the CIA but three feet deep in Bourne's shadow. Anything he can do Bourne can do better.
The main issue with this film is the directing. The marriage of Greengrass' direction and Gilroy's script in the previous two films meant that both story and visual were at their best. With Gilroy wearing both screenwriter and directing hats there was a loss in quality of both. The greatest flaw is the ending, or lack thereof. There is a spectacular motorbike chase scene and then two minutes after that ends we hear that famous Moby song signaling the end of the film. It came on so abruptly that I felt there must have been a mistake. And there was. Gilroy forgot to write an ending. The hollywood demon must have sat on his shoulder all along because the film sets itself up for sequels. The problem however is that the film can't stand alone, whereas all three previous Bourne films could. So many questions are asked, very few answered. I have a feeling we may never get them answered.
My recommendation is that you go see this film knowing that you'll get great action scenes, talented actors playing underwritten roles, and an incomplete story. This is not a Bourne film, Jason Bourne jumped off that roof and perhaps we will never see him again...but remember, this is Hollywood and cash cows never die.
